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#Yellow submarine cartoon song full#
#Yellow submarine cartoon song series#

In addition, there were sing-along sequences with simpler imagery complementing the full lyrics of particular songs.

#Yellow submarine cartoon song series#

The series consisted of short animated stories that essentially were intended to set up the visual illustration of Beatles songs that were played in their entirety. The series was a historical milestone as the first weekly television series to feature animated versions of real, living people. The original series was rebroadcast in syndication by MTV in 19 and on The Disney Channel beginning in 1989 on Fridays at 5 PM. Each episode has a name of a Beatles song, so the story is based on its lyrics and it is also played at some time in the episode. For the 1968–69 fourth season, which consisted of repeats, the series was shown at 9:30 AM EST on Sundays. The series was shown on Saturdays at 10:30 AM EST until the 1967 third season when it was moved to 12:00 PM EST. The series debuted on 25 September 1965 and new episodes ended on 21 October 1967. It was originally broadcast from 1965 to 1967 on ABC in the USA, with repeats airing until 1969. The Beatles was a Saturday morning animated television series featuring representations of the popular English rock band of the same name.

Australian Broadcasting Corporation (Australia).

But as an album it's ultimately forgettable, which is something the Beatles so rarely were otherwise. As a souvenir of the film, Yellow Submarine has its place, and in fairness, it was never intended as a major release. But it's very easy to forget that the music has anything to do with the Beatles, or even popular music of the last 50 years, at least until the "Yellow Submarine" melody returns in "Yellow Submarine in Pepperland". The blandly anonymous but beautifully recorded swoop of strings, self-consciously "exotic" percussion, and recurring thematic motifs serve as an intriguing sort of time capsule of a time when light "beautiful music" still commanded the ears of a sizeable listening pubic. Personally, I can enjoy this stuff when I'm in the mood. Pieces like "Pepperland", "Sea of Holes", and "March of the Meanies", however they were received at the time, function now primarily as garish kitsch, lushly orchestrated orchestral music that could have come from anywhere. To round out the album, the second side of Yellow Submarine is filled with George Martin's score for the film. They might be second-rate Beatles songs, but still. For McCartney's part, "All Together Now" is a cheery and pleasant sing-along befitting an animated soundtrack, and Lennon's "Hey Bulldog" is a tough and funky piano-driven rocker, by a good margin the best song here. But "It's All Too Much" stretches on for an endless six and a half minutes, the constipated production in fruitless search of a tune. "Only a Northern Song" at least has a good joke going for it, simultaneously alluding to the North of England and the Beatles' Lennon-McCartney-dominated publishing company (i.e., no matter what Harrison wrote for this particular number, it belonged to Northern Songs, Ltd.). "Only a Northern Song" and "It's All Too Much" are filled with swirling psychedelic production- tooting horns, backward instruments, shimmering percussion- but beneath the din there's not much else interesting going on.

Neither of Harrison's songs ranks with his best. But even setting aside their exceedingly high standards, this lot is pretty middling, if certainly still enjoyable. Granted, we're talking about a time when the Beatles were making some of the finest pop albums of all time, so the question of what constitutes "good enough" is relative. They never found release during the time they were recorded because, well, they weren't good enough. The other four were holdovers from sessions in 1967 (Paul McCartney's "All Together Now", George Harrison's "It's All Too Much" and "It's Only a Northern Song") and 1968 (John Lennon's "Hey Bulldog"). Of the six tracks by the Beatles on the album's first side, two, "Yellow Submarine" and "All You Need Is Love", are already familiar from their original contexts (as part of Revolver and as a single, respectively). So actors mimicked their voices, their input into the story consisted of a meeting or two with the filmmakers, and when it came time to assemble the soundtrack, they combed through the vault to see what was left over. Brian Epstein had died in August, and with him gone, there was little motivation for the Beatles to participate in any meaningful way. And while the record releases associated with Magical Mystery Tour are of staggeringly high quality, the Yellow Submarine soundtrack is like the work of a supremely talented band that couldn't really be bothered. While the latter film was derided as pretentious and incoherent, the Yellow Submarine feature was well-received. In one sense, the Yellow Submarine project is the opposite of Magical Mystery Tour.